生活残骸

Judd Apatow和Amy Schumer的访谈，收录在他的书Sick in the Head中。

I was sitting in my car one day, listening to The Howard Stern Show, when Amy Schumer came on. I think I had seen her do a little stand-up on television once or twice before, or maybe just some jokes at a roast, but that’s about it. I didn’t have a clear picture in my mind. But sitting there in my car, listening to her talk to Howard, I was blown away by how funny and intimate and fresh she was. You could sense that she had stories to tell and was a lot more than just a comedian. I instantly thought: I need to make a movie with her.So we did.Amy and I spent the next few years working on Trainwreck, and I found that she was, indeed, so much more than just a comedian. She is someone who is willing to go emotionally deep, as well as work obsessively hard, and there’s a frankness to her work that I find inspiring. The stories tumble out of her. She is able to make important points about our culture and feminism and relationships and what it’s like to be a woman in America right now, and to do it in a way that is consistently insightful and hysterical. Here is someone at the beginning of a very exciting career.JUDD APATOW: I was watching a movie about women in comedy recently—I think it was called Are Women Funny? And I noticed that you weren’t in it. Was that by choice?AMY SCHUMER: I got cut out. Actually, I am in one scene. But I don’t talk.J.A.: Oh, I thought maybe it was a political choice, a way of saying, We shouldn’t even be debating this anymore.A.S.: No, that debate is insane to me. It doesn’t even make me mad. It’s like asking, Do Jewish people smell like orange juice? It’s just such a weird question. It’s not even a question. The thing that gets to me is the question “Isn’t this a great time to be a woman in comedy?” I mean, all the TV I watched growing up featured funny women.J.A.: People said the same thing when Bridesmaids came out. We never thought about that when we were making it. I just thought, Kristen Wiig is funny. It would be fun to make a movie with Kristen Wiig. And then she had this idea to make a movie about bridesmaids. We never thought of it as a female movie. At some point, in the middle of it, it occurred to us: Oh, it’s kind of cool to have so many funny women in one movie. But it wasn’t conscious or anything. At the end of the process, we realized that it meant something to people. But what is shocking to me was that, even after the movie did well, there was almost zero follow-up in the culture.A.S.: In terms of what?J.A.: In terms of funny movies that are dominated by women. The studio system didn’t embrace them. They don’t know how to do it.A.S.: In my experience, there will be a script and you’ll be like, This is funny—I think I’ll audition. And you’ll know other women, who are hilarious, are auditioning, too. And then they give it to, like, some beautiful movie star. They’re great actresses and they’re really pretty, but they’re not funny.J.A.: When we did Undeclared, the note from Fox was: You need more eye candy.A.S.: Do you think that’s true? Do people really need more eye candy?J.A.: I have thought about that a lot. I don’t know. But what if people do want it?A.S.: I’m not above that. I want to look at Jennifer Lawrence eating cereal.J.A.: Are you someone who believes that life is easier if you’re attractive?A.S.: I think that beautiful people are not any happier than people who are not as beautiful. Even with models—there’s always someone who is more beautiful or younger. So no matter what realm you’re operating in, it’s all relative. I didn’t develop my personality, or my sense of humor, because I felt unattractive. I thought I was attractive until I got older. It was probably a defense mechanism for whatever pain was going on around me. But I don’t think that people who feel beautiful feel like “I don’t need to do this other thing.”J.A.: You’re in a weird area. I would describe it as: Everyone thinks you are beautiful, but maybe you don’t agree with their opinion.A.S.: Um.J.A.: I’ll talk about me for a second. I always thought I was right in the middle, looks-wise, and that if I had a good personality it could put me over the top. But it wasn’t like, behind my back, everyone thought I was handsome. I get the sense that you feel like some days you’re looking great, some days you’re not, but the audience sees you in a certain way that maybe you don’t agree with. Does that make sense?A.S.: I think that’s probably true. I think that’s probably dead-on. I feel, like you just said, that some days I am like a real monster, completely unlovable and unfuckable, and then there’s a moment, every now and then, when I’m more like Elaine on Seinfeld: “Is it possible that I’m not as attractive as I had thought?” Or maybe it’s the opposite of that. Anytime I start feeling better about myself, physically, someone will say something that pushes me right back down. I think every woman feels this way.J.A.: I ask about it because it is about who you think you’re speaking to.A.S.: That’s a really good point.J.A.: I was a year younger than everybody in school. I was the youngest kid in class, always. But I only realized later in life that I was much smaller than everybody.A.S.: Physically?J.A.: Yeah. And by the time I caught up a little bit, in sixth or seventh grade, I had been defined. On some level, I guess it made me feel less masculine. And as a result I always feel like a fucking nerd. I have a beautiful wife, I’m successful, but I still feel like the kid who’s picked last in gym class. And that shaped my idea of comedy, being about outsiders. It was a way for me to attack all of these systems that I thought were unfair to me.A.S.: I would say the same for me.J.A.: What was your version of that? What happened to you as a kid that made you think and defined your sense of humor?A.S.: I would say, with the physical stuff, that I was always pretty but not beautiful. And that was something that you were punished for. I was very aware of this stuff early on.J.A.: With girls, it’s weird because it changes dramatically. In high school, girls don’t look anything like they looked in third grade. Whereas with guys, the handsome third-grade dude is still handsome in high school. Girls blossom and change. That was the kind of girl I always tried to date: the girl who, near the end of high school, got pretty but still acted insecure.A.S.: Well, that’s the jackpot. That’s my favorite kind of guy too. The guy that blossoms but still sees himself as the fat kid.J.A.: Al Roker.A.S.: Al Roker is the perfect example.J.A.: He lost the weight, but he’s still nice to you.A.S.: Because he remembers.J.A.: At what age did you become aware of comedians?A.S.: Really young, when we would watch the Muppets. And then I discovered stand-ups. I loved Gilda. I was so drawn to funny chicks. I remember watching Rita Rudner and George Carlin and Richard Pryor. My dad must’ve had it on. And Letterman.J.A.: How old were you?A.S.: Ten or younger. Stand-up trickled in over the years, but it wasn’t until I was in college, early college, where I discovered Margaret Cho and got really into it.J.A.: At what point did you think, Stand-up is something I can do?A.S.: After college. I was 23.J.A.: What did it take for you to think, O.K., I’m going to try this? Because it’s a crazy leap. The need to show up at an open mike—to even write your first joke. I was a lunatic about it. I was trying to write those jokes at 12.A.S.: How old were you when you got up for the first time?J.A.: Seventeen. I had wanted to do it really badly since 14, but I was afraid to admit it to anybody.A.S.: My experience was like this: I was in an abusive improv troupe after college. This guy set it up to get 50 bucks a month from each of us, but it was not really improv—it was a crazy, schizophrenic, delusional situation. I went one night to see one of the girls do stand-up at Gotham, Bring Your Show. It was like at six P.M., and she was bombing. Everyone was bombing. I thought, I want to try this because I’m not digging the improv, but I like it when I say something and I get a laugh.J.A.: That’s interesting. Because it’s not about being inspired by watching someone murder. It’s like: Oh, this is as bad as it gets. And I can do better.A.S.: I still think that all the time. It’s not that I feel like what I’m doing is so amazing, but it’s pretty good compared to what other people are doing. So that same week, I was walking past the club, and it was my birthday, and I was like, I’m from New York, so I can get people in the seats. I had three hours to prepare.J.A.: You wrote it in one day?A.S.: I wrote it in two hours.J.A.: How did you do?A.S.: Pretty good.J.A.: Do you remember any of it?A.S.: I have a tape of it. I remember it. I talked about how skywriting annoys me. Don’t you find that when you talk about your early jokes, even though you know they were bad, you’re still trying to sell them? Like, I still want you to think this is funny shit, but I know it’s not. Anyway, I talked about skywriting, how it’s annoying and it fades and you can never read it. I was like, If somebody proposed to me that way, I’d be like, Fuck you. And so like, this summer, do me a favor, keep it at eye level or whatever. So horrible. But it went O.K., I think. People came up to me and asked how long I’d been doing it, which suggested that maybe I could do this if I wanted.J.A.: What were you doing for a living back then?A.S.: Waiting tables at Michael Jordan’s Steakhouse.J.A.: Trying to get acting work?A.S.: Yeah, auditioning. But one day this woman came into the restaurant and she really liked me. She was like, I’m going to hook you up with my agent. So I went in and I did a one-act play to audition for the agent, and he was like, You’re pretty mediocre, and I have too many girls like you that are better than you.J.A.: That happened to me and I never acted again. Do you think you have a much different experience, as a woman on the road, than guys are having?A.S.: Not in terms of the audience or anything, but in terms of fun? Yeah. Like, I’ve never hooked up with somebody after a show.J.A.: I did.A.S.: You did?J.A.: Once. It lasted eight seconds and I looked in her eyes as she realized what a horrible mistake she had made. And then we had sex again, and this time it lasted six seconds, and she really looked like—if she became a nun after that, it wouldn’t have shocked me.A.S.: Oh my God.J.A.: And I thought, I’m never going to do this again. This is terrible.A.S.: I’ve had one one-night stand in my life.J.A.: And yet people see your act as very sexual.A.S.: Right.J.A.: So is that a character you’re playing?A.S.: Well, it’s a part of me, too. Because the stuff you’re copping to and the saddest, worst moments of your life—that’s the stuff people connect to and appreciate. In reality, I’ve almost always had a boyfriend. Every year, if I have like one or two sexual experiences, they might both be hilarious.J.A.: And then they add up, and people think, She must be doing this all the time. I have maybe six experiences from my whole life. But if I go onstage and tell three of them, it sounds like I have hundreds of them.A.S.: Right. But you can get up there and do that, and you’re not the Sex Guy. But if I do it, I am. So I just embraced it.J.A.: But those experiences are funny. That’s the thing. Your worst sexual experience can be so humiliating and hilarious, both in movies and in stand-up. They’re always the best stories. A guy who has got a lot of terrible sex stories is the best dinner companion of all time.Not too long ago, you gave a speech at Gloria Steinem’s birthday party. Did people have a strong reaction to that?A.S.: Yeah. I got asked to do a monologue the year before for some event—I can’t remember what it was called. It was me and all these tiny actresses, and I just felt like I needed to joke about it because we looked like an evolution chart or something. I felt like a big, blonde monster, standing with a bunch of girls who had never seen semen before. But my speech really came off strong because I was actually talking about some real things, bad things that had happened to me—and the other speeches weren’t as hard. And so Gloria asked me to come talk the following year at her birthday party. So I wrote this speech about losing all my self-esteem in college, and a kind of painful night that I tried my best to make funny.J.A.: What about it do you think connected with people?A.S.: Just the feeling of losing all your confidence and feeling like you’re worthless because of how other people are treating you. And then having to realize that the real issue is actually how you’re treating yourself. I think that’s something most people have experienced, feeling like they don’t deserve love.J.A.: Do you ever go back and read your own speech, to cheer yourself up?A.S.: Yeah, and my friends will quote it to me.J.A.: That must be a big change, to go from doing stand-up, just trying to get laughs, to realizing that people are paying attention to what you’re saying. And that they’re moved and inspired by certain things you say. It’s not just about being funny.A.S.: I’m taking this responsibility seriously. I’m looking at it as an opportunity. What do I want to say? What have I really learned? Where am I, really? I’m not interested in just saying something for shock value anymore. I do feel more of a weight about the message that I’m sending because I know what it’s like to be on the other end of that and I don’t want to be in denial about what success means—and like how many people I’m reaching now. I want to make people feel better.

这部片子的编剧和主演都是Amy Schumer，她出生一个纽约犹太人的家庭，父亲之前是纽约当地家具业大亨，为什么加个“之前”，因为在amy九岁时候就破产了，她经常自豪的跟别人说：九岁以前我可是一个“Updown girl”（片子男主角最爱的歌）。

对了，她还有一个大名鼎鼎的叔叔纽约参议员Chuck Schumer,，美国民主党核心人物，目前党内排名第三，这大概就是她很少说政治笑话的原因吧。

与片中不同的是，她从小就是一个体育迷，和片子的父亲一样是大都会球队的忠实粉丝。

大学毕业后她开始在一些酒吧表演单口相声，后来加入了“哥谭喜剧俱乐部”，开始为“美国喜剧中心频道”写一些段子，跑跑龙套，或者做一两集情景剧的编剧。

差不多在2008年的时候，她去参加了NBC的一个单口相声表演真人秀Last Comic Standing在第五季拿到了第四名，她称这段经历绝对是无以伦比的爽。

然后回到喜剧中心，慢慢受到了重视，2011年她还参加了查理辛的吐槽大会，泰迪熊seth介绍她的时候说道“我不知道怎么介绍这位amy，因为我不知道她是谁”。

之后喜剧中心开始让她上台表演口，Mostly Sex Stuff大获好评，然后她一鼓作气，创造并主演了《Inside Amy Schumer》，每周二晚在喜剧中心播出，出乎意料的好评如潮，大家太爱她的黄段子了。

高曝光让她受到了很多人的关注，其中一个人是喜剧教父judd apatow,Amy在The Howard Stern Show里用单口相声的口味详细介绍了自己父亲痛苦的病床经历，judd看好后觉得这姑娘有意思，立马联系了她，希望她来做自己下一部电影的编剧，题材故事随amy写，要知道，这部《trainwreck》可是阿帕图第一次导演一部不是自己写的剧本，从另外一个侧面可以说是阿帕图的才尽？！

扯远了。

电影里所有的配角，超级明星，体育巨星，喜剧高手都是阿帕图靠自己的影响力号召来的。

Amy只要负责剧本的完善和段子的优化，事实证明她完成的很好，阿帕图也证明了自己不但能拍烂仔电影也能拍如《伴娘》一样的烂妞电影。

为什么这个片子好笑：1.性总是最好的段子。

比如：在杂志选题的时候讨论吃大蒜是否会导致男人的精液味道不同等；比如男女做爱的时候要求说一些黄段子之类的。

2.镜头或者情节的重复使用：开场3分钟，amy和若干个男人上床并送走他们，这个片段当中，无数个男人站在门口向amy告别。

一个镜头还好，但若干个这样的场景被快速、大数量地重复，就变得很好笑起来。

一个人不断地说谎，说一个谎就被人揭穿；再说一个谎又被揭穿，直到他不得不说出真相。

这个过程当中他可以瞎编一些谎言和根本就是胡扯的东西。

3.夸张的人物设定：（1）amy的爸爸：满嘴脏话的一个老头，愤世嫉俗到好笑，四处和人斗，但心肠软。

这个时候一定要注意他的语言要风趣，否则的话一定会让观众不喜欢，一个满嘴胡话地愤青才能让人喜欢。

（2）amy的女同事，性格非常突出。

饶舌妇，叽叽喳喳，性格略胆小，喜欢附和，脑子有点不太好用，呆呆地。

（3）amy的男同事们，一个是东亚人，一个是以色列人，从外形就可以看到明显的差异化。

也是欧美喜剧片中典型的配角。

他们都很贱，都性格有明显差异而且突出。

这些人物一定都是有各自的人物小传的，所以才能够有明显的差异。

而国内的喜剧电影人物的性格特点并不明显（剩者为王当中的同事都非常脸谱化，没有任何特色，都是观众身边能够看到的人物，平庸，无趣），即使明显也只是作为一般人的明显（比如会被设定成一个男人婆-肿瘤君中的闺蜜，或者一个娇滴滴的美女-剩着为王中的熊黛林），而不是做为一个喜剧角色的那种明显。

（4）欧美喜剧片当中一般都有一个小角色，贯穿始终。

比如片中amy楼下的流浪汉，总是有金句不断。

不占太多的篇幅，但总是让观众感到映像深刻。

然后片中会有一些路人的角色，会说一些很搞笑的话，仅仅用于调节气氛。

（5）amy的夸张性格：不喜欢和一个男人有长久的发展，所以会产生各种和想和她产生长久关系的男人各种矛盾。

amy睡觉很轻，所以她和conner一起睡觉的时候会很夸张地要求他不要大声呼气，以免感到风声。

amy跟人讲话有时候也把握不好分量，会错误判断形势，所以比如一群女人一起玩游戏讲真心话大冒险，她会真的说一些很隐私的事情，以至于众人不知道说什么好。

4.夸张的台词和语言风格：比如amy在面对男性伴侣脱下裤子露出的dick时说：“your dick never ends”以表达他的dick很长。

这个台词绝对是绝无仅有的形容，而且形象得不得了。

5.尖刻嘲讽的语言风格：amy会当众嘲笑喜欢体育的人，认为他们很无聊，认为他们人格低下。

这种略带争议的台词要演员用很自信或者一开始自信但发现大家反映不太对之后的不自信来表现。

6.对比：（1）人物反应对比：开场时，amy和一个男伴提出永久分手。

男伴并没有听懂，还在一边傻傻地搞笑，说一些非常愚蠢的话，可是amy已经明确地说了他们要分手。

观众此时是明白amy的意思的，可是男伴不懂，于是观众就在一种智力优越的地位上看这个男伴在傻傻地搞笑。

这种对比就尤其让人觉得搞笑。

另外一种对比是，一个人讲了很好笑的段子，可是另外的人没有反映，这种尴尬和沉默会让观众笑翻天。

另外一种对比是，一个人讲了很长一段自己很欣赏的言论和台词，可是另外的人没有反映，把他打发走了，这也会好笑。

（2）情节上的对比：amy让男伴做爱时说脏话，男伴说了，可是说得非常没意思。

这种错位让观众觉得好笑。

amy和男友吵架，这是男友主动发起来的吵架，可是到最后，amy话多得男友睡着了。

amy最后想投篮让男友impressed，结果最后却一下子摔在了地上，这是一个极度夸张的反衬。

（3）人物身份和形象对比：比如amy和男友在电影院和另外一个人吵架，男友就说了很多很gay的攻击性的语言，观众会觉得这些话和他的身份很不相符，这就有了差异性。

一个角色可以一本正经地说一些很扯的话，形成反差，而且他自己一点都不觉得好笑。

比如amy告诉conner她没怎么吃早饭，然后她开始数自己到底吃了些什么东西，然后观众知道她其实吃了很多东西。

amy一边跟正经的说这些话，于是就有笑点了。

intern是一个在全片当中都非常文静和一本正经的人物，但是他在私密环境当中却是一个喜欢玩SM的角色，这让人觉得很好笑。

7.其他一个人自己突然无意识地说了一些很愚蠢的话，他自己都没有意识到。

等他意识到了的时候又会嘲笑自己。

在一个场景结束的时候，需要一个人（处在这一幕当中的，或者不在这一幕当中的人）说一句很搞笑的话来结束这一幕。

比如在amy的父亲和amy的姐姐结束了一场争吵，最后姐姐离开之后，同桌吃饭的一个老头说“这个女人是你的老婆么？

”于是这个喜感就出来了。

嘲笑名人和知名商人是喜剧的一个点。

一个搞笑的段落结束的时候要很快就切掉，要造成一种意犹未尽的感觉，而不是让这个笑点慢慢消逝掉。

喜剧当中需要有有分量的悲剧，但悲剧持续的时间不宜过长，而且都要穿插喜剧的台词或者以喜剧结束。

He is soooooo fucking cute！！！

Trainwreck真的是满足了我个人对bill的所有私心：有点nerdy，非常有耐心，温柔体贴，really good at That thing，全心全意百分百的爱着女主无论女主前期多么的自暴自弃。

Today show那个女主持谈到的 作为一个浪漫喜剧男主 He has to be cute but approachable and also has a sex appeal 我是觉得Bill都做到了 他的身高样貌气质啥的确实适合这种有点书呆子但是又很热情天真的角色。

被剪掉的他和女主do That thing的第二天早上睡眼朦胧像个被春日阳光喊醒的毛茸茸小动物一样可怜无辜 声音哑哑的跟女主说good morning。

作为资深lsp我只能说感谢万能的互联网🙏还有他们俩喝多了去偷人家马的那段也很妙 其实更能体现出男主不完全是个nerd 他也有很疯狂很对女主胃口的那一面 他跟女主在一起是完全放松的 是真的爱女主的。

电影就是个典型的浪漫喜剧 女主原生家庭有缺陷最后变成Fuck-up girl却和德才兼备的体育医生相爱 俩人一定得争吵 冷战 然后女主与家庭和解 意识到自己是个混蛋 为爱改变 再追回男友 结尾一个大Happy ending。

剧情有点老套 但女主的成长确实还蛮走心的 因为本身就是女主自己根据真实经历写的剧本 再加上男主是我的new crush 所以这个电影总的来说还是不错啦！

————————————————————这个片子对于亲情 婚姻观 女性自我拯救讲的也还行 算是喜剧片里一个比较独特的女性视角了。

但我确实没什么鉴赏电影的水平也没法用我浅薄的文字准确写出我当时的感动。

因为感动过后我总觉得女主的那种心理状态和原生家庭伤害不是简单的一个男人的爱就可以治愈的 现实永远不会是rom-com 或许没必要用那么沉重的视角去看待这部电影。

————————————————————哦哦哦！

还有不得不提的是 Bill hader接吻的小动作真的好戳我——他会轻轻抚上女主的后颈。

他SNL的一些吻戏也会这么做 He is really a great kisser！！！！

1.LeBron James 真人唉 难以置信 怎么会有档期来拍电影当你和LeBron James是个哥们，一起和咖啡他要和你AA，结果他自己却忘记带钱包。。。

当他和你说Miami和Cleverland没啥不同。。。

当你和他在篮球场单挑。。。

不止James，竟然还有Stoudemire，做手术。。。

被打了镇静剂还强行逃出医院，还有被麻醉后的胡言乱语2.关于女主，一句话就是no zuo no die人家男主第二天要去给Stoudemire做手术，非要吵架说个清楚，不说清楚不让睡觉。

男主的痛苦我是深有体会，最有发言权的3.女主改变略突兀，还好至少也付出努力，去戒掉酗酒和抽大麻，去和妹妹和好，去给男主惊喜，虽然她这身材去跳弹簧床扣篮确实难了点

这根本就不是土鳖逆袭。

是灰姑娘白马王子的故事。

跟姑娘一起看的。

之后追问，完全不能理解女主角为何要各种作死，完全不能理解男主角为何要珍惜女主角。

我说，你最好不要理解剧里的男女主角。

这片子的绝大多数都是赤裸裸的现实，现实发生在纽约每一天的故事。

除了最后两个人的复合。

这根本就不是喜剧，是个治愈系的教学片。

女的老爹是人渣。

所以她习惯了人渣的逻辑。

所以自己也变成了人渣，只是灵魂深处渴望正常的生活。

可是丫智商不够，不懂，胡来。

就设定来说，女主这种时尚杂志的编辑，工作倒是比较自由，5、6万美元吧，所以她住chinatown。

搁纽约就是比凤姐略强点，不是屌丝也存不下几个钱，所以连晚礼服都没有。

男主，医生，运动科主刀，给球星做手术的。

年收入少说50万美元。

华尔街一般牛人也就是20万。

明显女主采访他去的诊所和健身房，根本就是他拥有的。

washington square有套房，至少100万美元。

根本就是无双级的男神。

后来说还拿到无国界医生的杰出贡献奖。

就是暗示他捐了很多钱，并且去非洲给黑鬼拿最基本薪水做了一两年服务。

道德上也是男神。

能跟一众明星当好友，随便聊大家都很喜欢他。

男主为何能治好女主？

因为他是男神。

女主为何能搞定男主？

因为拉拉队都不敢主动去操男主，女主敢。

'You got your doll,you love your doll,but what if I told you,that was the only doll you're allowed to play with the rest of your life.How would you feel?Sad.Cause there's a lot of other dolls on your shelves.And if you play with other dolls,you can't have that doll any more.Even though that doll doesn't really want to play with you at this point.You're both living a lie.There're other dolls you like,and they are making new dolls every year...That's why me and Mom are getting divorced.Monogamy isn't realistic.'‘’你得到了你的玩具娃娃，你喜欢你的娃娃，如果我告诉你，那是你余生允许玩的唯一娃娃。

你会感觉怎么样？

悲伤。

因为你的架子上有很多其他的娃娃。

假如你和其他的娃娃玩，你就不能拥有那个娃娃了。

即使那个娃娃此时此刻并不想和你玩。

你们都做人虚伪。

有其他你喜欢的娃娃，他们每年也在制作新的娃娃......那就是为什么我和妈妈在离婚的原因。

一夫一妻制不现实。

“如果是中国人向子女这么灌输理论，一夫一妻制不现实，别人一定会说他不是东西，教坏小孩吧。

电影中美国的小女孩长大后，虽然经历了一段频换男伴的时光，但是最终她还是想要一夫一妻、稳定下来的，而且也成功了！

别人也没有道德绑架她，用贞妇烈女的古训来压迫她，可能这就是中国和美国国情的不同吧，也有可能是喜剧不能够深刻地反映现实吧！

有好久没有这么笑过了。

除去片子本身的原因，影院里观众们互相传染的情绪，到影院得以专注的空间，都是让我能够笑得起劲的因素。

片子本身，讲述的是一个很传统小清新的男欢女爱的故事。

其实有些俗套的爱情片套路：一个下定决心无心进入婚姻的女强人，给无数男士灭灯以后，终于见到了Mr. Right的故事。

不过，喜剧片，有一个基本过关的内核也就够了。

本片最出彩的，在于其喜剧功底。

不同于很多粗制滥造的喜剧片，Trainwreck的喜剧元素，是能够看到编剧的用心的，是有一种智慧感在里面的。

后来一查，果然，女一号Amy就是编剧。

一个编剧出演的电影，自然会很认真负责的把事情做好。

一号肌肉男友，是一个著名的美国摔角运动员John Cena。

Amy和他滚床单的时候，想要一些浪漫的东西，于是让Cena说一些sexy的语言来调动一下情绪。

结果，Cena一番拒绝后，被迫开口，说出来的句子……我不愿意剧透，但影院里的观众都笑趴下了，我反正快把旁边的椅子扶手捶断了。

后来Cena在影院里和Amy看电影的时候，跟后排的观众发生口角，吵架也吵得观众们锤地：You know, you are an asshole! You know what I do to an asshole? I LICK it.男一号的死党闺蜜，居然找来了NBA球星勒布朗詹姆斯。

更让我吃惊的，他竟然不是打酱油的，是铁骨铮铮的男二号！

最让我吃惊的，他竟然演得不错！

这就好像，突然有一天刘翔跑去参加快乐男声，别人说你一个跨栏的过来凑什么热闹，结果他得了全国总冠军，靠实力的。

老詹我是今年才彻底迷上的，打到全国总决赛，最后错失总冠军。

一路看下来，对老詹的死忠程度可谓是与日俱增。

所以，看他演喜剧，我自然入眼。

老詹飙戏最好的一段，要算是篮球场边他和女主Amy的一番对话，劝她要和自己闺蜜在一起。

你想想，一身腱子肉，棱角分明，虎背熊腰，牛高马大的一个篮球巨星，问Amy：你看天空的白云，会看到他的笑脸吗？

你听微风的呼吸，会感受到他的心跳吗？

然后，Amy盯着他，用尽力气的问：啥？

然后，空气凝固了。

镜头上方疑似有乌鸦飞过。

老詹萌萌哒的样子，真让人恨不得上去亲一口。

说说缺点。

本片估计是有NBA的赞助，所以还有大量的桥段，最后一幕也是在篮球场结束的。

不过，也不是每一个篮球主题植入都那么成功。

最后一幕的啦啦队热舞感觉挺多余。

另外，女主工作杂志社的设定过于粗暴了，拿fucking作为主题的笑点，感觉过于低端了，Amy小同学有赶工嫌疑哦。

让我看得这么开心，这些小瑕疵我都不计较了，五星!

逐渐脱离中文网络的一个人，该怎么评价自己呢？

深刻感到了社交媒体化的文化驱逐感。

这是我个人的一点感慨。

即使和美国文化走的很近，我也不能说就和它是共同成长的吧。

感谢有伟大的网络，至少我能在Lisa Lampanalli的单口里面听到所有笑点，至少我能理解Andy Cock为什么好笑。

假如你一点美国文化也不懂，甚至不想懂，为什么要看外语片？

如果你对美国文化不感兴趣，你只感兴趣琅琊榜，你为什么要看美国喜剧？

笑点比文化认同还难。

很明显，这片子在中国打分成这样太正常了。

因为这个贱屄违反了一切中国白莲花的教条，她把一切不能说的，不想说的，不敢说的，都拿到台面上了。

Amy无数次吐槽康涅狄格的主妇，我倒是觉得中国的这些白莲花很适合去康涅狄格生活，嫁个有钱男人、生个篮球队。

嘿，你看，Lisa L就曾经吐槽过这些康涅狄格的主妇，我希望她们得面部癌症，抱歉，我也希望那些白莲花也得上自己特有的脸癌死去。

把所有对白莲花们的不满放到一边，上面这写字确实非常风扇男孩。

所以我只想说，我我什么要给五分。

我完全不同意所有人在这里说的所有内容。

（1）段子手？

你高抬了中国的段子手，因为单口喜剧演员可比段子手难多了。

你应该学会对别人有所尊敬的，你应该懂得不要用简单的词汇概括全世界的，你应该知道如果你问我我是哪里人，我告诉你地球人你会给我一耳光叫我去死的。

首先请允许我假设你真的不懂，复制粘贴一段中文维基百科对单口喜剧的定义。

“”“单口喜剧即英文的「Stand-up comedy」。

香港称为栋笃笑（粵语正字：戙𡰪笑，读：dụngduksíu），台湾称为独角喜剧[2]。

又有单人喜剧（英语：Stand-up comedy）、单人脱口秀、站立喜剧等名称。

是一种漫画式的夸张喜剧表演，以独角戏方式进行，通常是由喜剧演员一个人，直接站在观众面前，以搞笑方式面对观众，使观众发笑。

因为此类演出通常是一个喜剧演员站在台上表演喜剧，而且多以语言笑话为主。

表演进行方式类似于中国传统的单口相声或日本传统的落语。

除了以语言游戏方式演出，说一些相关的有趣故事、双关语、笑话或连续的小笑话（One-line joke）外，单人喜剧演员也常借用舞台道具、音乐、舞蹈、口技或魔术把戏，来吸引观众的注意，增强演出效果。

”“”How dare YOU, Wikipedia！

“表演进行方式类似于中国传统的单口相声或日本传统的落语”。

一提到日本就高潮的性冷淡白莲花们听说你把“段子手”和落语作类比，爱国愤青们看到你把“段子手”和中国传统的单口相声作类比，他们是不是都要疯了？

维基百科没疯，假如你认为这就是一个写段子的段子手，那是你知道的真的不够多。

至少，电影第一场她爸爸用娃娃解释出轨就超过140字了。

我不幸的提醒所有没用过推特的人，推特上的140个英文字，是字母，不是单子。

You r retarded这三个英文单字在推特上是14个字，因为空格也是算进去的。

（2）她真的是性上瘾了吧？

很不幸的告诉你，不。

我甚至根本没办法去说服你。

所以我就用一个例子吧，喜剧界毒舌女王，Lisa Lampanelli，她离婚了，今年在她的秀上，她向观众坦诚，她的婚姻之所以破裂，其实有一部分原因是因为她的床上功夫没有她说的那么好，她的性生活也没有那么丰富。

早年她一直开一个玩笑，在我身后的黑人，比奥巴马身后的黑人还多呢。

当然这只是夸张了，当然这就是为了逗你笑一笑了，Amy天天张口闭口自己UTI，一来就是两三年，拜托～ 还有人说，只要你拿出足够的钱作公关工作，这样的丑女都能成名，你在一边乘凉吧，她有钱给自己做公关，没钱去治UTI啊？

你说我喜欢Amy Schumer天真了，我说你看了她一场单口你就烦她你更天真了。

甚至你都遮掩不住你的天真，一个虚假的电影就说这姑娘怎样怎样。

假如你这么坚信你自己的话，那我还说你自相矛盾了呢，这电影拍的很有说服力啊，你明知道这是电影，有剧本的，你都错乱了自己的现实，我还能说什么？

（3）大龄剩女、一夫一妻制我看到最多的大概就是说大龄剩女的了，我不知道说这话的人多恨嫁。

还有因为一开头是一夫一妻制开头，所以觉得就要反对些什么。

我觉得这样的人，就根本不要在自己的评论里面提到Amy Schumer是writer。

当你提及一个电影的制作流程，用这一部分来评价电影的时候，至少你需要对制作流程有所了解，对主创人员有一定认知。

比如要谈镜头，一个没扛过机器的人我是信不过，谈剧本创作一个白莲花的嘴更是让我不相信进去的笔头会比龟头多。

Amy Schumer不是Brian Regan这样讲干净笑话的人，Schumer也不是Anthony Jeselnik这样的Lisa Lampanelli wannabe，靠侮辱别人讲笑话。

Amy是靠自黑来讲笑话的。

也许某些白莲花们从来没有一天懂得什么叫性解放，Amy刚开始和Bill的感情如此不安，是因为她不想谈恋爱，她享受自己的单身生活，她鄙视那些怀孕成家没事业的女人，她不觉得自己大龄更不觉得自己剩女。

她分手之后开心的出去派对，和小男生上床，没有一点愧疚，她最后更没有表示要结婚要生孩子要定下来，结束在两个人爱情的复燃上而已。

白莲花们的眼睛里是进不来这种东西的，你到底脑补能力多强？

人家两个人就在那边接吻你把灰姑娘的故事都给人家补全了。

一定要用性别定义一切，也真是直男癌了。

两个人相爱，他们爱的是感情，他们没有结婚，和一夫一妻制有什么关系？

难道你说别人相爱就是俗套？

不，人人都在谈爱情多高尚。

我本人就觉得谈爱情很俗套，我觉得所有追求爱情的人都是狗屎。

你会不会觉得我非常愤世嫉俗？

这时候你怎么肯俗呢？

不然你就和我站在一起，鄙视爱情，抵制爱情。

这也是我不听时下中文歌、西语歌和英文情歌的原因，你再张开你的嘴唱爱爱爱，我就敢伸手打烂你一嘴黄牙。

－－－－－－－－－－－－－－－－－－－说了这么多疯话，如果你没给我贴个标签：果然臭味相投，什么明星有什么样的风扇。

那我认真的向你说一声谢谢，I'm Trash.<图片1>喜剧界几乎人人爱Brian Regan，因为他的单口非常清新，很干净。

他开玩笑说自己要搞个最时髦的纹身，他要在肚子上纹个榨汁机；他用自己榨纯橡胶汁的故事逗观众笑。

我很佩服他，我想很多人都很佩服他，宋飞同学就曾经很认真的给别人意见如何干净的说单口。

我也喜欢参加喜剧中心吐槽大会的所有人，Jeffrey Ross，Nick DiPaolo，Jimmy Kimmel，Andy Cock等等等等，虽然他们在台上或者自己的表演里面对别人大撕特撕，不过，嘿，大家都承受的了这种笑话。

我最喜欢Lisa Lampanelli，她开所有人种的玩笑，她开同性恋的玩笑，她就是真正的insult comic，可是当她说you dirty homo, Mo, dirty corn holder, 肛门宇航员，痔疮杀手，便便推手，David Archuleta的时候我觉得非常好笑，有时候我恨自己怎么没想到呢。

Amy和John Mulaney我还是喜欢，因为他们拿自己的生活开涮。

也许Amy和John Mulaney的最大不同，就是Amy比John脏很多。

Amy有攻击性吗？

没有，如果你看过Amy Schumer的内心世界（顺便一说，我觉得这样翻译的人真的很棒），其实Amy真的很少有攻击性的内容。

Amy只是诚实到滴血了。

她有一个笑话，吐槽自己小时候被人歧视是犹太人。

她说有个夏天她的同学轮流对她扔硬币，叫她Amy Jewumer，她简直开心坏了，就像下了金币雨一样，再多扔点呀我是犹太人哎。

你见过有这样吐槽犹太人的么？

就事论事，这部电影也许你换个角度，不是把它简单的看成一个浪漫喜剧，也许你就能理解为什么评论界给它一致好评了。

你们嘴里的chick flick可不容易能拿到metacritic的75分呐，最高拿到100分，最低60分及格。

时尚女魔头，豆瓣7.9接近8分，IMDB有6.8分。

再看metacritic，却只有62分，最高分不过88，最低分才50分不及格（出自华尔街日报）。

说了这么多，我没有对电影大谈特谈，因为这电影太简单了。

我只希望说一句话，不要急着戴有色眼镜。

也许你看电影看多了，看出了套路，但是我真心希望你不要戴有色眼镜像戴3D眼镜那么勤快。

这是一部很简单的电影，就是一个女生经历的上上下下，也许她自由，也许她恋爱，也许她没什么节操，也许她没有你那么可爱。

但是她非常真实。

真实的夸张，就像哈利波特在电影里虚假的那部电影，太荒诞了以至于它真的就是真实的。

你看过BravoTV的各种娇妻么？

或者甜心波波？

或者泽西婊子？

这些所谓真人秀却没有一部电影真实。

我给Amy Schumer这点认可。

有些东西你真的写不出来，就像刚刚一开场，一个父亲向两个女儿解释自己为什么外遇了，什么是外遇，该怎么对待外遇。

说到这一场，我想对“一夫一妻制”说句话，其实这段没给电影定什么基调，不要看电影犹如中学老师，这句话只是一个父亲为自己的行为辩护的，就像和谐社会和金色长城一样。

我们见多了试图好笑的人，我们也见多了试图好笑结果失败的人，我想至少我们嫩认同，坐在Amy台下的观众们，都被她逗笑了。

我很敬佩看电影很多的人，我非常佩服你们，你们对电影的了解程度非常值得我钦佩。

但是我想对待每一部电影也要有点处女的态度，宛若自己第一次张开大腿，接受自己的第一次肛交（我是gay所以我可以开自己的玩笑），尤其是对待一个没有喜剧duo的writer，我觉得我更愿意给她一次摘下有色眼镜的机会。

一向女丑难寻，Amy Schumer 是新崛起的出色的女丑。

喜剧的标准就是它让你笑的时候你笑了没。

我看这部片就笑了。

我老公看的点就和我不一样，一个劲儿的说干嘛要找amy schumer一夜情啊太不现实了。

有关系吗？

这是一部挺勇敢的喜剧，有很多笑点都介于offensive和好笑之间（比如大量的种族玩笑），但是成功的落在了好笑这边。